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Panoramic Views
Artists: David Claerbout, Ron Amir, Sze Tsung Leong, Lior Shvil, Ruthi Helbitz Cohen, Sharon Balaban, Jan Henle, Anila Rubiku, Irit Batsry, Shai Kremer The exhibition features ten Israeli and international artists who offer a sort of panoramic view. Originally, the term panorama, which literally means “to see everything”, referred to visual representations that provided the viewer with a point of view that expands the boundaries of the field of view to a 360-degree
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Eventually We’ll Die
Participating artists: Jasser Abu Rabia, Asim Abu-Shakra, Orit Adar Bechar, Ariel Asseo, Aya & Gal, Jumana Emil ‘Abboud, Avner Ben-Gal, Arnon Ben-David, Guy Ben-Ner, Guy Bar Amotz, Anat Betzer, Yossi Breger, Miriam Cabessa, Shibetz Cohen, Elisha Dagan, Bracha Ettinger, Yoav Efrati, Max Friedman, Eli Gur Arie, Meir Gal, Uri Gershuni, Irit Hemmo, Nir Hod, Noam Holdengreber, Neta Harari Navon, Eti Jacobi, Roi Kuper, Tzur Kotzer, Miki Kratsman and Gideon Levy, Hila
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Michael Adler Collection
As early as the late 1960s, while paving his academic path as a professor of economics at Columbia University in New York, Michael Adler began collecting Israeli art. The initial motive was to collect Israeli art, which expresses the spirit of the country with its unique landscapes, while emphasizing the mental landscapes he sought to take with him to the United States. A turning point in his approach to Israeli art occurred in his encounter with the gallerist Bertha Urdang, thanks to whom he
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Shibtez Cohen
South-West Concrete Wall, Yad Lebanim, Herzliya Museum, 2007, graphite on paper
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Shahar Yahalom
Shahar Yahalom, Orchard, 2006, video, 03:50 min Materials: Flashlight, orchard, digital video camera, editing software
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Nahum Tevet
Studio Studies: 22 Arrangements of Ten Elements in the Studio, 1978, b/w photographs + One Element, 2007 Materials: Oil paint, square wooden poles, MDF boards, newsprint, saw, screws, paintbrush, an
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Michael Gitlin
4×8, Corner A, 1975 (2008) , from a series of installations, plastic paint on plywood, wall, floor
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Lea Avital
Untitled, 2004, paper, cellophane tape, rubber band coated with acrylic paint Materials: Stack of white A3 paper, black rubber-band, cellophane tape, floor
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Joshua Neustein
The Loaded Brush of Gustave Courbet, 1970, sheet of paper, acrylic paint, adhesive tape, dimensions variable
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