Haim Steinbach

One Minute Managers VI-2, 1991 Laminated wooden shelf; aluminum stock pots; leather medicine balls, The Israel Museum, Jerusalem Gift of the artist and Harriett and Millard Dorman, Palm Beach, to American Friends of the Israel Museum, in honor of the birthday of William S. Ehrlich

Wilhelm Sasnal

Food 7, 2008, Oil on canvas Radiation, 2008, Oil on canvas Untitled, 2010, Oil on canvas The Population Deployment 1972, 2000, Oil on canvas The Population Deployment 1994, 2000, Oil on canvas Bathers at Asnières, 2010, Oil on canvas

Gregor Schneider

Cryo-Tank Phoenix 2, 2006, Electropolished stainless steel filled with liquid

Gil Marco Shani

Stairway, 2011, Mixed media Gil Marco Shani’s current installation joins a series of total environments that he has built in the last decade. The installation is based directly on the architecture of the Herzliya Museum of Contemporary Art. Nevertheless, in Shani’s action there is more than an attempt to expose or reflect the structural aspect of the architecture. This is not a site-dependent installation, but a stage set, a fictitious space, a total and dead

Jordan Wolfson

Animation (Masks), 3D, sound (loop) “Animation (Masks)” is an animated film at the center of which stands the figure of Shylock, an ultra-Orthodox Jew. The narration accompanying his appearance changes voice at intervals, pointing to the changes of identity to which he’s subject. The different voices all recite a poem by Richard Brautigan. This work and others by Wolfson propose a concept of unstable identity, identity as mask, and according to Wolfson

Brice Dellsperger

Body Double 13, DVD, colour, sound, Duration: 00:03:32 (loop) Brice Dellsperger’s “Body Double” videos are a numbered series in which the filmmaker and visual artist recreates famous movie scenes… Recourse to general discourse prompts the observation, in line with Guy Debord, that the subject-spectator is alienated in a society of the spectacle and that appropriation, here through forms of remake, allows the phenomenon to be neutralized. The gesture

Adam Rabinowitz

Je T’aime Je T’aime, 2011 Wood, metal, fiberglass, polyurethane foam,glass, plastic, slide projection, clay, plaster, Sweet potato, paper, paint Adam Rabinowitz’s work offers a double feature relying on the tension between

Avner Ben Gal

What’s in the Menu, 2011, Acrylic on canvas Untitled, 2011, Acrylic on canvas Coin, 2011, Acrylic on canvas Bong Reaction 1, 2010 Bong Reaction 2, 2010, Acrylic on canvas Untitled, 2010, Acrylic on canvas

The Second Strike

The title of the exhibition “The Second Strike” is taken from the vocabulary of bilateral strategic doctrine. The concept emerged during the Cold War, and it refers to the capability of a country, which has been surprised by a nuclear attack, to launch a nuclear strike of its own despite the devastation it will have suffered. The concept of a second strike bears the potential for mutual destruction the very possibility of which creates a balance of terror that can

Tom Pnini

Cloud Demo/ Manara, 2010, video, 6:13 min. The clouds move slowly between heaven and earth along the extended cable. Like Icarus, the artificial clouds challenge nature, striving to soar upwards. Similarly to the artist’s previous works, in