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Adi Nachshon
Gang-Bang Society, installation, 2010 In nature, hyenas hunt in packs. They obtain their kills by jointly attacking the predators (usually lionesses) that originally hunted the game. In other words, they “steal” the food hunted by another animal
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Miguel Chevalier
Fractal Flowers, interactive virtual reality installation, 2010 ι Computer program: Cyrille Henry Herbarius 2059, video, 35 min., 2009 Miguel Chevalier presents two works addressing a botanical world issued from a human conception. In Herbarius
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Dana Harel
Dana Harel’s works take us, through their meticulous execution, to a subject
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Dina Shenhav
Underwater Tears, painting, 2010 Upon entering Dina Shenhav’s aquatic world, one experiences joy and elation. The vivid colors and variety of fish moving in different directions convey the impression of an underwater carnival, a merry, never-ending
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Guy Goldstein
Premature Beat, sound and video installation, 3:32 min., 2010 Guy Goldstein’s installation Premature Beat invites us into a world of medical-related imagery and sound. It consists of several layers comprising sound, text,
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Ariela Plotkin
Party-zan, video, 7:30min., 2010 In Party-zan, Ariela Plotkin composes a dream-like historical narrative in which she, a young partisan, is inspired to learn the art of fighting by her grandfather, Zvi Hirsch. His influence on her is
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Assi Meshullam
Meshullam Fish Family, photographs, 2002 In The Meshullam Fish Family, an early work by Assi Meshullam from 2002, the artist reworks and transforms his self-portrait in multiple versions, to spawn an entire school of little fish. They all bear his resemblance while maintaining their own individual personal characteristics. With a great deal of humor, Meshullam sends his little offspring into unknown waters on a mission to “take over the world” and to represent
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Manimal
The Manimal exhibitions bring together artists who, in diverse mediums and modes, address the relationship between man and animal (and in the case of Miguel Chevalier, the relationship between man and a botanical world, which acquires animal-like characteristics). The relationship between man and animals has been portrayed in art from time immemorial. Even during the prehistoric era one finds drawings of large animals and human hands in close proximity (e.g. in the Lascaux and Altamira
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