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Alona Friedberg and Limor Orenstein
Super Music MegaMixer, video, 2004 Jasper Johns’ target, Tables of Covenant, still life, falafel, Picasso, Pollock, Duchamp, and a dinosaur singing “I’m gonna sing, sing, sing, till the sun goes down”,
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Kader Attia
Shadow, 2003, video, 3 min Loose Weight, 2004, wall installation Kader Attia was born in France in 1970 to a family of Muslim emigrants from Algiers. His work, mainly in photography, video and installation, reflects the bleak socio-political state-of-affairs
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Maria Marshall
Playground, 2001, video, 3:49 min. Don’t Let the T-Rex Get the Children, 1999, video, 1:30 min Aeroplane, 2000, video, 4:10 min The video works of Maria Marshall (born in Bombay, lives and works in London) originally crystallized
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Yaron Leshem
Untitled, 2004, photography and video installation Yaron Leshem explores the ways in which the camera is used by the army and the media, as well as the “new” role it plays in shaping the war: a camera that simulates and re-structures the enemy as a
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Yossi Galanti
The Edge of the City, 2004, photography The panorama, as a descriptive method, constructs an artificial space of visibility offered to the viewer as natural. It expands the realm of visibility beyond the human eye’s restricted observation segment. But
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Yochai Avrahami
The Negotiations Continue, 2004, installation and video The work is based on observation of two mutations that have developed in Israel in recent decades: minibus-taxis and border devices.
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Yehudit Matzkel
The Tree of Knowledge, 2001-2004, Photography Bonsai: The Cedar, the Shittah Tree, and the Myrtle, and the Oil Tree It is disconcerting to plant in bonsai – the Japanese art of dwarfing and shaping plants – the cedar, the shittah tree (acacia),
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Zatorski and Zatorski
The Last 3600 Seconds of Wasp, 2001-2004, video, 60 min. An ode to a dying wasp. The video focuses on a wasp writhing on its back until it dies after one hour. It is set on an emotive Phillip Glass soundtrack, which ultimately (melo-) dramatizes the demise of this small creature. The music and the floral tablecloth, on which the wasp lays, infuse the work with a surrealist celebration of absurd pathos.
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