Erez Israeli

Erez Israeli, Born in Israel in 1974, lives and works in Tel Aviv, stayed and worked in Berlin for three months in 2013 Untitled (Mensch und Sonne – Man and Sun), 2013, series of six photographs / Untitled (Mensch und Sonne -Man and Sun), 2014, photograph

Andy Hope

Andy Hope 1930 (Andreas Hofer), Born in Germany in 1963, lives and works in Berlin. The Day is Ending, 2007, acrylic and lacquer on canvas New Gods, 2007, acrylic and lacquer on canvas Who Goes There, 2012, oil on canvas

Amir Yatziv

Hausbaumaschine, House-Building Machine, 2014, Installation: Hausbaumaschine, 2014, video, 7:39 min / Bauordnungslehre (Ernst Neufert 1943), original book / Model, 2014, nylon print with plastic. Born in Israel in 1972, lives in Berlin since 2010, works in Germany and in Israel.

Alona Rodeh

Safe and Sound (Version II), 2014, sound system, lighting, photoluminous vinyl, variable dimensions Soundtrack: OneFinger, Dj OneFinger, 1996. Born in Israel in 1979, lives and works in Tel Aviv and Berlin since 2013. Safe and Sound is an installation comprised of a fluorescent material which outlines a checkered pattern on the museum floor, and accompanies a synchronized dialogue between techno music and lighting. In the hall and corridor, lights appear and disappear in synch with

Ella Littwitz

Born in Israel in 1982, lives in Berlin since 2010, works in Germany, Belgium and Israel Habit/at, 2012-2014, installation: Untitled (Conversion), 2012, video, 7:18 min Untitled (Structure T), 2013, concrete, courtesy of the Ahuvi Art Collection Untitled (Blind), 2013 / Habit/at #3, 2014, mixed media Habit/at #4, 2014, mixed media

Milly Barzellai

Born in 1986. Lives and works in Tel Aviv New Israeli Shake, 2013, installation, mixed media New Israeli Shake is Milly Barzellai’s idiosyncratic way of saying “enough with bad news!” Barzellai is tired of the gloominess that often characterizes the Israeli press and proposes through his artistic work a different reading alternative. This highly colorful work is comprised of cut up “Yediot Aharonot” newspapers which reveal the different layers of written

Mahmood Kaiss

Born in 1985. Lives and works in Haifa Arabesque, 2013-2014, wood installation Kaiss’s installation is inspired by the arabesque decoration style, an Islamic type of ornamentation characterized by interlacing plant forms and abstract geometric or curvilinear motifs, dating back to the year 1000. The artist explains that while attending religious services in mosques, he would often admire the balance, linearity, symmetry, expansion and recurring patterns of arabesque designs.

Majd Amori

Born in 1990. Lives and works in Jerusalem Out of Place, 2013, installation made of head scarves Majd Amori is fascinated by the materiality and the meaning of the head scarves that are an integral part of her life. In creating this installation, the artist has performed two acts: research and questioning. On the one hand, she explores and dissects the fabrics she is so familiar with. She is fascinated by the scarves’ loose strings and the different colors they reveal once

Lior Shachar

Born in 1986. Lives and works in Tel Aviv Cappuccino for Your Small Talks, 2014, installation, mixed media Cappuccino for Your Small Talks is composed of several stands supporting clay surfaces whose texture is reminiscent of dough, on which lie flat decorative paintings made of spices, photocopies, markers, pens and spray. The works are made of crisp, perishable and organic materials with subdued colors. The objects’ eclectic ordering and childlike decorativeness resonate

Lior Modan

Born in 1983. Lives and works in Brooklyn Travelling Museum of Love, 2007-2013, installation, mixed media Travelling Museum of Love is a perplexing artwork because it is replete with contradictions. In its previous incarnation as a VW Bus, this car, like millions of other nondescript vehicles cast in its image, probably travelled to many places, transporting passengers from one location to another. Transformed into a work of art thanks to the meticulous efforts of artist Lior Modan,