Vito Acconci

CLAIM, 1971, performance with video (64 min. of video documentation), 93 Grand Street, New York; three hours; September 10, 1971 CLAIM, 1971, photograph, performance documentation A two-level loft-at street level, next to the stairway

Hilla Ben Ari

Adagio, 2010, video, 1 min. loop The strength of the gymnasts is manifested in their stillness. Their bodies are balanced and parallel to one another. She leans against him in a soaring position, a moment preceding a launch that will never take place. At first

Deganit Berest

Hello, First Grade! (L1-1), (El sueño de la razón produce monstruos)* Arithmetic series of consecutive numbers (1, 2, 3, …), 2011, colored pencils on paper, 183X260 cm. Hello, First Grade! (L1-2), (El sueño de la razón produce monstruos) Arithmetic series of squared consecutive numbers (… ,32 ,22 ,12), 2011, colored pencils on paper, 183 X 260 cm. Hello, First Grade! (L1-3), (El sueño de la razón produce

Julian Opie

View from my Kitchen Window, 2008, computer animation In the graphic work View from my Kitchen Window an open landscape is delineated with minimalist, clearly defined painterly lines. The landscape changes with the cycle of day and night,

Be Andr

Something and Nothing, 2011, vinyl lettering, 3.3X5 m.

Efrat Vital

Under the Bridge, 2010, video, 2:00 min. The video work Under the Bridge is composed of a sequence of footage shot while driving slowly under bridges along the Coastal Road. The bridges are suspended between sky and ground, delineating and segmenting the sky. The gaze is carried upwards, searching for the sublime, interrupted by each passage beneath a bridge. The bridge connecting the banks and sides is observed from below, underscoring the gap between the physical

Itamar Gilboa

The Chief of Staff, 2011, installation

Uri Aran

Untitled, 2011, installation Using tacks, sawdust, cookies, minimized photographs, etching and scratching Aran creates an unsolved enigma. Shapes and objects weave a familiar, yet hard to decipher web, an absurd alignment of objects, suggesting rules and causation

Numerator and Denominator

Numerator and Denominator is an arithmetical term expressing division. A horizontal line, the fracture bar, divides and separates the numerator above, and the denominator below it. The denominator gives the name, it communicates what. The numerator counts how many. Together they convey how many of what. The exhibition employs this concept metaphorically, illustrating the vertical aspect in our life and the essential division between above and below – between heaven and earth, top and

Yitzhak Golombek

Yitzhak Golombek’s sculpture may be termed sculpture in the first person. Even in the simple sense of the objects’ basic corporeality, but more so due to the speaking “self” who turns directly to the viewer, including himself in the sculptural sentence…